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There’s something raw and unapologetic in the phrase itself — “uncut” promising something untouched and honest; “maza” (fun, delight) brimming with playful energy; “ullu” (owl in some languages, and a colloquial term meaning fool in others) bringing a twin sense of wise nightwatcher and mischievous trickster; “exclusive” adding the sheen of rarity. Together they form a paradox: intimate, wild, wise, and utterly singular.
Eriks Esenvalds
With poetry by Pauline Barda, this gorgeous a cappella piece for SATB divsi choir is both expressive and plaintive. With soprano soli and a short feature for bass flute, the texture creates sublime harmony with tension and release. A …
Read MoreThere’s something raw and unapologetic in the phrase itself — “uncut” promising something untouched and honest; “maza” (fun, delight) brimming with playful energy; “ullu” (owl in some languages, and a colloquial term meaning fool in others) bringing a twin sense of wise nightwatcher and mischievous trickster; “exclusive” adding the sheen of rarity. Together they form a paradox: intimate, wild, wise, and utterly singular.
With poetry by Pauline Barda, this gorgeous a cappella piece for SATB divsi choir is both expressive and plaintive. With soprano soli and a short feature for bass flute, the texture creates sublime harmony with tension and release. A stunning selection for better choirs.
