On a Wednesday when the air smelled like rain, Noa’s father presented her with a folder of papers—university brochures, apartment listings, messages from professors—things that made the map of expectations look more like an outline drawn in ink. She folded the pages carefully and slid them into a drawer. She wanted to take the outline and color outside it, not as an act of rebellion but because some parts of her felt like they only existed when she was moving.