One of the most striking aspects of "Tribal Install" is its engagement with issues of cultural appropriation and the representation of Indigenous cultures. Mason, who is of European American descent, has long been interested in exploring the complex dynamics of cultural exchange and the ways in which dominant cultures often borrow from and misrepresent marginalized ones. In "Tribal Install," she takes up these themes through a series of gestures that are at once playful and provocative. By incorporating elements of Native American art and culture into her work, Mason raises important questions about the ownership and authorship of cultural knowledge, as well as the power dynamics that underpin cross-cultural exchange.