Few films announce their arrival with as much cold, incisive clarity as Yorgos Lanthimos’s Dogtooth. Released in 2009, this Greek film rattled arthouse expectations with a premise that’s as audacious as it is unsettling: a family constructs a grotesquely controlled microcosm, imprisoning three adult children in a fabricated reality to shape their perceptions and pacify their desires. The result is a movie that doesn’t just unsettle—it interrogates language, power, and the quiet, monstrous work of indoctrination.